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APA Member Interview, Chloe W. Chang
Chloe Wanghuige Chang was a manager in the business and fashion industry, but always felt that something was missing in her pursuit, until she...
Using the Absurd: How Erasmus Challenges His Students
The Dutch humanist Desiderius Erasmus, more often called Erasmus of Rotterdam, is well known for his satirical Praise of Folly, his letters, and his...
The Feminine as Structural Problem
Twelve years ago, I committed to a life in philosophy—knowing it meant poverty and prolonged adolescence. Years of it. Maybe forever, given the job...
Gratitude, Belonging, and Philosophy
I came to philosophy somewhat by accident. I am from a bureaucratic, military-dominated area of Northern Virginia; almost everyone I went to high school...
The Risks of AI Recording Devices and Note-Taking Assistants in the Classroom
Recently, US classrooms have dealt with several forms of authoritarian and dystopian policies, ranging from Texas A&M banning Plato to UNC Chapel Hill secretly...
Dystopian Futures: Anthropic and the Department of Defense
Fantastical imaginings of a bleak and desolate end-state of mankind, characterized by environmental disasters, tyrannical governments, or some other cataclysmic decline, have been around...
Let Kids Be Kids? The Ethics of Maximizing Children’s Talents
Sam is fourteen years old. He spends hardly any time with friends or family. Every day, before or after school, or both, and every...
Recently Published Book Spotlight: Aesthetics and Video Games
Christopher Bartel is Professor of Philosophy at Appalachian State University and Adjunct Research Fellow with the Practical and Public Ethics Research Group at Charles...
APA Member Interview, Christian Culak
Christian Culak is a moral philosopher concurrently lecturing at Texas A&M University-San Antonio and the University of Texas at San Antonio. When he’s not...
Love Is All a Matter of Timing
The Allegory of the Gynoids in Wong Kar-wai’s 2046
Many films are about love, but Wong Kar-wai’s 2046 is about love in a deeper sense....
